<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Performance Psychology | ASPAH</title>
	<atom:link href="https://www.aspah.org.au/category/performance-psychology/feed/" rel="self" type="application/rss+xml" />
	<link>https://www.aspah.org.au</link>
	<description>The Australian Society for Performing Arts Healthcare</description>
	<lastBuildDate>Thu, 15 Feb 2018 22:46:45 +0000</lastBuildDate>
	<language>en-US</language>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	<generator>https://wordpress.org/?v=7.1.4</generator>

<image>
	<url>https://www.aspah.org.au/wp-content/uploads/2021/05/cropped-conference-logo-2021-1024x153-1-32x32.jpg</url>
	<title>Performance Psychology | ASPAH</title>
	<link>https://www.aspah.org.au</link>
	<width>32</width>
	<height>32</height>
</image> 
	<item>
		<title>Reflections on Paulette Mifsud</title>
		<link>https://www.aspah.org.au/reflections-on-paulette-mifsud/</link>
		
		<dc:creator><![CDATA[]]></dc:creator>
		<pubDate>Thu, 15 Feb 2018 22:46:45 +0000</pubDate>
				<category><![CDATA[Performance Psychology]]></category>
		<guid isPermaLink="false">https://www.www.aspah.org.au/?p=1444</guid>

					<description><![CDATA[This text was originally published by ASPAH in August, 2017. Last week marked the first anniversary of the death of someone who was a good friend of ASPAH. Paulette Mifsud was a highly regarded sports psychologist working at the Victorian Institute of Sports but it was her passion for the emotional health and well-being of [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><em>This text was originally published by ASPAH in August, 2017</em>.</p>
<p>Last week marked the first anniversary of the death of someone who was a good friend of ASPAH. Paulette Mifsud was a highly regarded sports psychologist working at the Victorian Institute of Sports but it was her passion for the emotional health and well-being of performing artists that brought her to ASPAH.</p>
<p>Details of her life and career were lovingly given in our <a href="https://www.aspah.org.au/wp-content/uploads/2018/02/September-2016-Newsletter.pdf" target="_blank" rel="noopener">September 2016 newsletter</a> so I won’t repeat them here. This is a more personal remembrance.</p>
<p>Paulette joined the executive committee of ASPAH in late 2010 and was with us for two years. These were important years for the organisation as we transitioned from being young, new and aspirational to something more mature and realistic. During those years Paulette was a reassuring and calming figure who came in as new blood but managed, like some old hand, to make us all feel that what we were doing was worthwhile and had a future.</p>
<p>I would be lying if I said I knew Paulette very well even though we met quite a few times during those two years. The executive committee got together face-to-face more often back then, while the annual conferences would corral all the executive together as a closely working team for days at a time. Still, she was based in Melbourne and I was based in Sydney with a relatively new young family so our paths didn’t cross much outside of ASPAH. In fact, after she left the executive committee, I had lost track of Paulette by 2015. This partly explains why I was so shocked in 2017 to hear of the advanced state of her illness and even more shocked a few weeks later to hear of her death.</p>
<p>I think, however, that there was more to it than shock that moved me as deeply as I was. I think that when you get to spend only a short time with somebody your memories are not so much made up of incidents and experiences but are more made up of emotions and broadly sweeping impressions. The impression Paulette left with me was one of great sincerity, deep caring, tremendous energy and that precious capacity to bring you back into the moment with her and have you realise that that moment was the most important place you could possibly be. All these impressions, and others too subtle to easily articulate, magnified the profound sense of unfairness I think we all felt that we had all lost such a gifted and talented healer and such a simply good person.</p>
<p>When my mother died my father said that her ghost visited him when he was at home alone. While I never worked out if he meant this metaphorically or literally I do know this was a source of great comfort for him. The internet is full of ghosts, and Paulette’s remains strong. My favourite is at <a href="http://www.youtube.com/watch?v=m-CYRp_6Wd8" data-saferedirecturl="https://www.google.com/url?hl=en-GB&amp;q=http://www.youtube.com/watch?v%3Dm-CYRp_6Wd8&amp;source=gmail&amp;ust=1518819956985000&amp;usg=AFQjCNH9cPancSH3J2wC6JpU75E99zN5Og">http://www.youtube.com/watch?v=m-CYRp_6Wd8</a>. It shows Paulette in full flight and demonstrates both her great expertise but also her deep humanity. Alternatively, there is the podcast of her ABC interview with Gerard Callinan at <a href="http://www.abc.net.au/local/stories/2012/07/12/3544698.htm" data-saferedirecturl="https://www.google.com/url?hl=en-GB&amp;q=http://www.abc.net.au/local/stories/2012/07/12/3544698.htm&amp;source=gmail&amp;ust=1518819956985000&amp;usg=AFQjCNHfq8eFhoOI7SF7u9EIyYYpYnboag">http://www.abc.net.au/local/stories/2012/07/12/3544698.htm</a>.</p>
<p>Farewell, Paulette.  You are missed.</p>
<p>&nbsp;</p>
<p>-Dr Paul Duff (ASPAH Secretary, 2018)</p>
<p>&nbsp;</p>
<p><em>In 2018 ASPAH launched a fundraising initiative for the &#8220;Paulette Mifsud Memorial Grant Program&#8221;, from which ASPAH will allocate money to those who, on application, can show that their project furthers the cause of performing arts healthcare. You can donate to this fund <a href="https://www.givenow.com.au/aspah" target="_blank" rel="noopener">here</a>. </em></p>
]]></content:encoded>
					
		
		
			</item>
		<item>
		<title>Enhancing Confident Music Performance with Guided Imagery &#038; Music</title>
		<link>https://www.aspah.org.au/enhancing-confident-music-performance-with-guided-imagery-music/</link>
		
		<dc:creator><![CDATA[]]></dc:creator>
		<pubDate>Mon, 03 Oct 2016 02:30:54 +0000</pubDate>
				<category><![CDATA[Performance Anxiety]]></category>
		<category><![CDATA[Performance Psychology]]></category>
		<guid isPermaLink="false">https://www.www.aspah.org.au/?p=630</guid>

					<description><![CDATA[“If only I could play as well in front of others as I do when I’m practicing”.. a thought common to many musicians &#8211; amateurs and professionals alike. Have you imagined what it would be like to play well, without nerves? Or re-lived a bad performance experience in your mind’s eye? You have been tapping [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><img decoding="async" class=" wp-image-634 alignright" src="https://www.aspah.org.au/wp-content/uploads/2016/10/rachael-photo-280x300.jpg" alt="rachael-photo" width="133" height="143" />“If only I could play as well in front of others as I do when I’m practicing”.. a thought common to many musicians &#8211; amateurs and professionals alike. Have you imagined what it would be like to play well, without nerves? Or re-lived a bad performance experience in your mind’s eye? You have been tapping into your innate ability to image!Imagery is an amazing tool with which to address the difficulties of performing, including:</p>
<ul>
<li>the physiological effects of anxiety (i.e., increased heart rate and breathing, sweating, shaking/trembling, ‘butterflies’ in the stomach feelings),</li>
<li>the psychological effects of anxiety (i.e., negative thoughts about the experience and one’s ability, decreased focus and concentration, and emotional responses), and</li>
<li>the behavioural effects of anxiety (i.e., avoidance of performance situations, and using particular foods/ drinks/ substances to cope).</li>
</ul>
<div>
<p>While practicing performing can be helpful, it will only help to decrease anxiety if the experiences are positive. To create positive performance experiences, performers need to address each of these areas that form a self-defeating cycle. These three areas can be explored through imagined scenarios first to bring about desired changes in real life.One of the five music therapy models recognised worldwide, the therapeutic method of Guided Imagery &amp; Music (Bonny Method) combines relaxation and imagery techniques with the known benefits of music therapy, in a music psychotherapy setting. The method has been researched with music performance anxiety by the author (<a href="http://www.musicandimagery.org.au/video-anxiety-resolution.html" target="_blank" data-saferedirecturl="https://www.google.com/url?hl=en-GB&amp;q=http://www.musicandimagery.org.au/video-anxiety-resolution.html&amp;source=gmail&amp;ust=1475548020852000&amp;usg=AFQjCNHYGZoQtnHu4AXQ_9T81ei_fefpsg" rel="noopener">http://www.musicandimagery.org.au/video-anxiety-resolution.html</a>) showing increases in performance confidence, enjoyment, and coping for the participants.</p>
<p>In Guided Imagery &amp; Music sessions, people are taught how to create a state of relaxation through mindful breathing and the use of various relaxation and centreing exercises. They learn to become aware of where tension is held in their bodies, and to release the tension – either through physical or imagined means (e.g., imagining your muscles being warmed by a ball of light).</p>
<p>Once in a relaxed state, imagery can assist in exploring or uncovering negative thoughts and feelings. Specifically selected recorded music (generally of a ‘classical’ genre, matched to the mood and energy at the time) is played to sustain a series of spontaneously unfolding images that the performer relays to the therapist. This allows performers to develop and express images that reflect both their current feelings about performing and how they would like performing to be.</p>
<p>These images can provide new perspectives and opportunities for mental rehearsal. They produce physiological responses that are embodied and then can be drawn on in practice and performance situations to aid physical and mental control. Through mentally rehearsing new positive thoughts and actions, performers can experience increased performance quality and confidence without having to “try harder”, while re-connecting to their enjoyment of playing music.</p>
<p>Working with a qualified Guided Imagery &amp; Music therapist allows the process to be tailored to the individual. Below are two examples of simple introductory exercises that can be easily incorporated into home practice:<br />
Relaxation: Find your favourite way to enter a state of relaxation (whether that be through mindful breathing, progressive muscle relaxation, or simply scanning the body), by releasing areas of tension. Then pair this relaxation with listening to a quiet, slow piece of music and practice daily to enable entering a relaxed state quickly.<br />
Visualisation: Remember a positive performance experience and imagine it in as much detail as possible. Include all your senses, e.g., visual images, sounds, and feelings in your body and spend a few minutes imagining this performance after practicing relaxation. After a couple of weeks, see if you can enter a relaxed state quickly by thinking of this image.</p>
<p>Rachael has a private practice in Melbourne working with performers and is available for in-person and skype consultations. She can be contacted at <a href="mailto:info@musicalkeys.com.au" target="_blank" rel="noopener">info@musicalkeys.com.au</a>.</p>
<p>Further reading: a case study from Rachael’s thesis can be read in “Guided Imagery and Music and Music Imagery methods for Individual and Group Therapy” chapter 9, (2015). Jessica Kingsley Publishers (available online)</p>
<p>Martin, R. (2007). The effect of a series of Guided Music Imaging sessions on music performance anxiety. Unpublished Master of Music Thesis, University of Melbourne.</p>
</div>
<p>Rachael Martin A.MusA<br />
M.Mus (Music Therapy), PGDip Guided Imagery &amp; Music,<br />
PGDip Music Therapy, B.Mus</p>
]]></content:encoded>
					
		
		
			</item>
	</channel>
</rss>
